“Without an element of cruelty at the root of every spectacle, the theater is not possible. In our present state of degeneration it is through the skin that metaphysics must be made to re-enter our minds” (Artaud, Theatre and its Double). By cruelty, he meant not sadism or causing pain, but rather a violent, physical determination to shatter the false reality which, he said, lies like a shroud over our perceptions. To put it another way, it’s not cruelty in the sense of being violent, but the cruelty it takes for the actor to completely strip away their masks and the cruelty of showing an audience a truth that they don’t want to see.